The King of All, Sir Duke: Ellington and the Artistic

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Language: English

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The qualifier "just" in front of "swing" in Mingus's writing is perhaps the key. "Swing" is a very subtle thing and has to do more with how rhythm is experienced and played, than with any one rhythm. A sociological and political interpretation based on the author’s doctoral dissertation. This 1966 version contains no solos and the theme is never stated clearly. John LaPorta Jazz Educator of the Year Award ... B. ensemble featured a rotation of young jazz musicians such as Kenny Garrett, Steve Wilson, Kenny Davis, Renee Rosnes, Ralph Peterson, Jr., Billy Drummond and Robert Hurst. [169] A similar reaction took place against free jazz.

Pages: 208

Publisher: Bloomsbury Academic (April 1, 2001)

ISBN: 0826414044

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